The American Society for Eighteenth-Century Studies

November 6, 2017- HIGHLIGHTED AND NEW ITEMS

You can reach the ASECS Business Office at:

English Department
SUNY Buffalo State College
Ketchum Hall 327A
Buffalo, NY 14222

E-mail: ASECSoffice@gmail.com

Phone: 716-878-3405

Executive Director, Lisa Berglund - berglul@buffalostate.edu
Office Manager, Aimee Levesque - ASECSoffice@gmail.com

 

2018 Annual Meeting -

General Information - Link

Hotel Reservations - Link

2017 Annual Meeting

Program

2016 Annual Meeting

Program - 2016 Annual Meeting

2015 Annual Meeting

2015 Program

 

Recent Books and Special Publications by ASECS Members:

Satire, Celebrity, and Politics in Jane Austen JOCELYN HARRIS

In Satire, Celebrity, and Politics in Jane Austen, Jocelyn Harris argues that Jane Austen was a satirist, a celebrity-watcher, and a keen political observer. In Mansfield Park, she appears to base Fanny Price on Fanny Burney, criticize the royal heir as unfit to rule, and expose Susan Burney’s cruel husband through Mr. Price. In Northanger Abbey, she satirizes the young Prince of Wales as the vulgar John Thorpe; in Persuasion, she attacks both the regent’s failure to retrench, and his dangerous desire to become another Sun King. For Elizabeth Bennet in Pride and Prejudice, Austen may draw on the actress Dorothy Jordan, mistress of the pro-slavery Duke of Clarence, while her West Indian heiress in Sanditon may allude to Sara Baartman, who was exhibited in Paris and London as “The Hottentot Venus,” and adopted as a test case by the abolitionists. Thoroughly researched and elegantly written, this new book by Jocelyn Harris contributes significantly to the growing literature about Austen’s worldiness by presenting a highly particularized web of facts, people, texts, and issues vital to her historical moment.

University Press Copublishing Division / Bucknell University Press

Pages: 388 • Trim: 6 x 9

978-1-61148-839-5 • Hardback • August 2017 • $110.00 • (£75.00)

978-1-61148-843-2 • eBook • August 2017 • $104.50 • (£70.00)

Save 30% with Promo Code UP30AUTH17

CONVENIENT WAYS TO ORDER:

online at http://www.rowmanlittlefield.com

call toll-free: 1-800-462-6420

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The Wreckage of Intentions: Projects in British Culture, 1660-1730, by David Alff (U of Pennsylvania P, October 2017).

http://www.upenn.edu/pennpress/book/15758.html

Enter promo code: PH89 to receive 20% discount on this title.

Rousseau on stage: playwright, musician, spectator, Ed. Maria Gullstam and Michael O’Dea

Following his opposition to the establishment of a theatre in Geneva, Jean-Jacques Rousseau is often considered an enemy of the stage. Yet he was fascinated by drama: he was a keen theatre-goer, his earliest writings were operas and comedies, his admiration for Italian lyric theatre ran through his career, he wrote one of the most successful operas of the day, Le Devin du village, and with his Pygmalion, he invented a new theatrical genre, the Scène lyrique (‘melodrama’). Through multi-faceted analyses of Rousseau’s theatrical and musical works, authors re-evaluate his practical and theoretical involvement with and influence on the dramatic arts, as well as his presence in modern theatre histories.

List of illustrations

Jean-Jacques Rousseau: a theatre and music chronology

Maria Gullstam and Michael O’Dea, Introduction: ‘La vérité est que Racine me charme’

Part I. Rousseau as theorist of theatre and opera

1. The anthropological foresight of the Lettre sur les spectacles, Felicity Baker

2. The dramaturgy of Rousseau's Lettre à d’Alembert and its importance for modern theatre, Patrick Primavesi

3. The voice of nature in Rousseau’s theatre: reconstructing a dramaturgy, Jørgen Langdalen

4. Rousseau’s Pygmalion and the limits of (operatic) expression, Jacqueline Waeber

Part II. Rousseau as playwright

5. Pygmalion’s power struggles: Rousseau, Rameau and Galathée, Maria Gullstam

6. Rousseau and his early comedies: the concept of the comic, Marie-Emmanuelle Plagnol-Diéval

7. Rousseau’s Pygmalion and the theatre of autobiography, David Marshall

Part III. Rousseau’s operatic and theatrical posterity

8. The melodic language of Le Devin du village and the evolution of opéra-comique, David Charlton

9. Rousseau’s ghost: Le Devin du village at the Paris Opera, 1770-1779, Michael O’Dea

10. A theatrophobic dramatist: J.-J. Rousseau’s position in theatre historiography and on today’s stage, Willmar Sauter

11. The judgement of Rousseau: Paride ed Elena by Gluck and Calzabigi (Vienna, 1770), Magnus Tessing Schneider

Summaries

Bibliography

Index

September 2017, Oxford University Studies in the Enlightenment

ISBN 978-0-7294-1199-8, xxx+310 pages, 40 ills

Questioning Nature: British Women's Scientific Writing and Literary Originality, 1750-1830, by Melissa Bailes (U of Virginia P, May 2017). http://www.upress.virginia.edu/title/5075

The Papist Represented: Literature and the English Catholic Community, 1688-1791, by Geremy Carnes (Newark: University of Delaware Press, 2017). https://rowman.com/ISBN/9781611496536/The-Papist-Represented-Literature-and-the-English-Catholic-Community-1688%E2%80%931791

Minds in Motion: Imagining Empiricism in Eighteenth-Century British Travel Literature, by Anne M. Thell (“Transits,” Bucknell University Press, Sept. 2017). https://rowman.com/ISBN/9781611488272/Minds-in-Motion-Imagining-Empiricism-in-Eighteenth-Century-British-Travel-Literature

New Books:

T. Odumosu

Africans in English Caricature 1769–1819: Black Jokes White Humour

223 p., 49 b/w ill. + 88 colour ill., 220 x 280 mm, 2017

ISBN: 978-1-909400-50-4

Languages: English

Retail price: EUR 100,00 excl. tax

Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp Act to the French revolution, the local Westminster election or the abolition of the slave trade, these prints, political pamphlets, plays, novels and periodicals collaborated (sometimes intentionally) in critique, praise and assessment of the country’s changing socio-economic climate. African people were a critical aspect of this world of images, and their presence conveyed much about the implications of travel, colonialism and slavery on the collective psyche. Whether encountered on the streets of the city, in opulent stately homes, or in tracts describing the horrors of the slave trade, the British paid attention to Africans (consciously or not), and developed a means of expressing the impact of these encounters through images. Scholarship has begun to interrogate the presence of Africans in British art of this period, but very little has been written about their place in visual and literary humour created in a metropolitan context. This book fills this scholarly lacuna, exploring how and why satirical artists both mocked and utilized these characters as subversive comic weaponry.

Dr. Temi Odumosu is an art historian, educator, and cultural strategist focused on diversifying and transforming communications practices. Her international research and curatorial interventions have been concerned with identity politics, Black aesthetics, and the psychosocial consequences of distorted representations. Working in the spaces between archives, memory and the creative imagination, she also uses technology as a tool for activating and bringing to life history and culture in the present.

 

Announcements:

The Harvard Art Museums have received a spectacular gift of 330 master drawings from the Dutch Golden Age. The gift was announced by George S. Abrams (Harvard A.B. ’54, LL.B. ’57), the esteemed Boston-based collector, at a dinner held in his honor last night. At the event, Abrams was also appointed Knight in the Order of Orange-Nassau of the Kingdom of the Netherlands.

The museums’ press release is available online: https://www.harvardartmuseums.org/about/press-media/harvard-art-museums-to-receive-transformative-gift-of-dutch-flemish-and-netherlandish-drawings

An exhibition of drawings from the Maida and George Abrams Collection is on display through January 14, 2018: https://www.harvardartmuseums.org/visit/exhibitions/5604/the-art-of-drawing-in-the-early-dutch-golden-age-1590-1630-selected-works-from-the-abrams-collection

Note: The Boston Globe covered the news this morning: http://www.bostonglobe.com/arts/2017/11/03/harvard-receives-landmark-gift-dutch-drawings/q5pmJyXZrJylQi6Szk7sWL/story.html

Fellowships:

 

 

Applications Invited for 2018-2019 Visiting Fellowships and Travel Grants at the Lewis Walpole Library, Yale University

The Lewis Walpole Library, a department of Yale University Library, funds four-week visiting fellowships and two-week travel grants to support research in the Library’s rich collections of eighteenth-century materials (mainly British). In addition, the Library administers two jointly funded residential fellowships: The LWL / ASECS Library Fellowship is awarded to an ASECS member in good standing for up to four weeks of research at the Lewis Walpole Library, and The LWL / Beinecke Rare Book and Manuscript Library Fellowship is awarded to support up to eight weeks of research in the collections of both libraries.

The Lewis Walpole Library is a research center for eighteenth-century studies and an essential resource for the study of Horace Walpole and Strawberry Hill. Its collections include important holdings of eighteenth-century British prints, drawings, manuscripts, rare books, paintings, and decorative arts. It is located in Farmington, Connecticut, in several eighteenth-century buildings on a fourteen-acre campus.

Scholars pursuing postdoctoral or advanced research, as well as doctoral candidates at work on a dissertation, are encouraged to apply. The fellowship year runs from July 1, 2018, through June 30, 2019, and all fellowships must be completed within the fellowship year.

All fellowship recipients are expected to be in residence at the Library, to be free of other significant professional obligations during their stay, and to focus their research substantially on the Lewis Walpole Library’s collections. Fellows also have access to additional resources at Yale, including those in the Sterling Memorial Library, the Beinecke Rare Book and Manuscript Library, and the Yale Center for British Art.

Application materials must be submitted directly through the listing in the Yale Grants Database. Search for Visiting Fellowships Lewis Walpole. Please note you will need to login to access the application form. Decisions are based on a number of factors, including the merits of the project and fit with the collections.

Applications for 2018-2019 will be accepted beginning Monday, November 6, 2017, and the application deadline is Monday, January 8, 2018.

View in browser: http://yppsweb1.its.yale.edu/emailuploads/pages/sow2113201714617PM.html

The Florida Atlantic University Libraries and the Huntington Library are jointly offering three new short-term academic research fellowships. Applications are encouraged from advanced humanities graduate students in fields related to the collections, which are particularly strong in Anglo-American political philosophy, the American and French revolutions, the English Civil War, and religion and reform movements. Further information can be found here: http://www.fau.edu/history/_includes/FAUHuntingtonLibraryFellowship.pdf

Deadline: November 30, 2017

The Jane Austen Society of North America (JASNA) sponsors the International Visitor Program—a fellowship program that supports a member of JASNA to work on a creative or scholarly project for four to six weeks, while also using his or her talents to serve the Austen-related institutions in Jane Austen’s village of Chawton, Hampshire.

Fellowship applications are assessed based on the applicant’s need to have access to materials in or near Chawton; the importance and viability of the project (in terms of project parameters, time, resources, and so on); and the skills that the applicant brings to the Jane Austen House Museum, Chawton House Library, and St. Nicholas Church.

The duties of the fellowship involve spending up to two days per week working either at Chawton House Library, the Jane Austen House Museum, or St. Nicholas Church (or some combination thereof, as needed), and attending the annual meeting of the UK Jane Austen Society in July, and assisting as needed. The fellowship stipend is $3,250.

For more information and application materials, please visit http://www.jasna.org/programs/international-visitor/.

For JASNA membership, see http://www.jasna.org/join/.

Applications are due on December 15, 2017.

For inquiries, please contact Marilyn Francus at chawtonivp@jasna.org.

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THE HARRY RANSOM CENTER, an internationally renowned humanities research library and museum at The University of Texas at Austin, invites applications for its 2018–2019 research fellowships. The fellowships support projects that require substantial on-site use of its collections in all areas of the humanities, including literature, photography, film, art, the performing arts, music, and cultural history.

ONE- TO THREE-MONTH FELLOWSHIPS $3,500 PER MONTH (DOMESTIC) • $4,000 PER MONTH (INTERNATIONAL) One- to three-month fellowships are available for postdoctoral or independent scholars whose projects require extensive use of the Ransom Center’s collections.

TRAVEL STIPENDS $2,000 (DOMESTIC) • $2,500 (INTERNATIONAL) Travel stipends are available for postdoctoral or independent scholars whose projects require less than one month’s use of the Center’s collections. Travel stipends may not be combined with other Ransom Center fellowships.

DISSERTATION FELLOWSHIPS $2,000 (DOMESTIC) • $2,500 (INTERNATIONAL) Dissertation fellowships are available for graduate students whose doctoral dissertations require use of the Center’s collections.

For details and application instructions, visit www.hrc.utexas.edu/fellowships

The Newberry is now accepting fellowship applications for the 2018-19 academic year!

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The Newberry Library's long-standing fellowship program provides outstanding scholars with the time, space, and community required to pursue innovative and ground-breaking scholarship. In addition to the Library's collections, fellows are supported by a collegial interdisciplinary community of researchers, curators, and librarians. An array of scholarly and public programs also contributes to an engaging intellectual environment.

We invite interested individuals who wish to utilize the Newberry's collection to apply for our many fellowship opportunities, including the American Society for Eighteenth-Century Studies Fellowship, a short-term opportunity that supports scholars who wish to use the Newberry's collection to study the period 1660-1815.

Many of the Newberry's fellowship opportunities have specific eligibility requirements; in order to learn more about these requisites, as well as application guidelines, please visit our website. Questions should be addressed to research@newberry.org.

Long-Term Fellowships are available to postdoctoral scholars for continuous residence at the Newberry for periods of 4 to 9 months; the stipend is $4,200 per month. Applicants must hold a PhD by the application deadline in order to be eligible. Long-Term Fellowships are intended to support individual scholarly research and promote serious intellectual exchange through active participation in the fellowship program. The deadline for long-term fellowships is November15.

Short-Term Fellowships are available to postdoctoral scholars, PhD candidates, and those who hold other terminal degrees. Short-Term Fellowships are generally awarded for 1 to 2 months; unless otherwise noted the stipend is $2,500 per month. These fellowships support individual scholarly research for those who have a specific need for the Newberry's collection and are mainly restricted to individuals who live and work outside of the Chicago metropolitan area. The deadline for short-term opportunities is December 15.

2018-19 Hench Post-Dissertation Fellowship

Scholars who are no more than three years beyond receipt of the doctorate are invited to apply for the 2018-19 Hench Post-Dissertation Fellowship, a year-long residential fellowship at the American Antiquarian Society. The purpose of the post-dissertation fellowship is to provide the recipient with time and resources to extend research and/or to revise the dissertation for publication. Any topic relevant to the Society's library collections and programmatic scope, and coming from any field or disciplinary background, is eligible. AAS collections focus on all aspects of American history, literature, and culture from contact through 1876, and provide rich source material for projects across the spectrum of early American studies. The Society welcomes applications from those who have advance book contracts, as well as those who have not yet made contact with a publisher. The twelve-month stipend for this fellowship is $35,000; the fellowship also includes reimbursement of up to $4,000 to cover health insurance costs. The Hench Post-Dissertation Fellow will be selected on the basis of the applicant's scholarly qualifications, the appropriateness of the project to the Society's collections and interests, and, above all, the likelihood that the revised dissertation will make a highly significant book.

Further information about the fellowship, along with a link to the online application form, is available on the AAS website, at http://www.americanantiquarian.org/hench.htm. Any questions about the fellowship may be directed to Cheryl McRell, Administrator of the Fellowship Program at AAS, at cmcrell@mwa.org.

The deadline for applications for a Hench Post-Dissertation Fellowship to be held during the 2018-2019 academic year is October 15, 2017.

Call for Papers and Upcoming Meetings:

 

 

WSECS 2018 is now accepting paper and panel proposals through November 15, 2017.

The conference will take place at the University of Nevada, Las Vegas, February 16th and 17th, the Friday and Saturday of the Presidents' Day weekend. The meeting coincides with the Las Vegas Baroque Festival, hosted by the UNLV School of Music, running from Thursday, February 15th through Sunday, February 18th. Graduate students are invited to attend all concerts gratis; all others invited at modest cost (please see the Eventbrite registration site).

The conference theme is "Conversing Among the Ruins: The Persistence of the Baroque." As always, we welcome proposals from all disciplines for panels and papers regardless of the conference theme.

The conference website is here:

https://sites.google.com/unlv.edu/wsecs18/home

and the registration site here:

https://www.eventbrite.com/e/wsecs-2018-unlv-baroque-festival-tickets-38637250055

Colleagues proposing presentations may expect a response on submission. A full program will be available in early January, 2018.

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Call for 2018 Seminar Proposals

The 42nd GSA Conference in Pittsburgh, PA (September 27-30, 2018) will continue to host a series of seminars in addition to conference sessions and roundtables.

Seminars meet for all three days of the conference. They explore new avenues of academic exchange and foster extended discussion, rigorous intellectual debate, and intensified networking. Seminars are typically proposed and led by two to three conveners and they consist of 12 to 20 participants, including scholars from different disciplines and at different career stages. Seminars may enable extended discussion of a recent academic publication; the exploration of a promising new research topic; engagement with pre-circulated papers; an opportunity to debate the work of scholars with different approaches; the coming together of groups of scholars seeking to develop an anthology; or the in-depth discussion of a political or public policy issue, novel, film, poem, artwork, or musical piece.

In order to facilitate extended discussion, seminar conveners and participants should participate in all three seminar meetings. Please note that seminar conveners and seminar applicants who have been accepted for seminar participation will not be allowed to submit a paper in a regular panel session. However, they may take on one additional role in the conference as moderator or commentator on another session independent of their enrollment in a seminar, or they may participate in a roundtable.

Although we accept proposals from conveners who have directed a seminar during the past two consecutive years, we give preference to newcomers and thus encourage the rotation of seminar conveners in similarly-themed seminars. We further recommend that those conveners contact the coordinators of the Interdisciplinary Network Committee, Professors Pamela Potter (pmpotter@wisc.edu) and Winson Chu (wchu@uwm.edu), to establish an official GSA Network on their topic.

The application process has two steps. Initially, we invite you to submit a preliminary proposal that includes the following items:

Title

Names of conveners

A 150-word description of the seminar's subject (which will eventually be used in the call for participants, the printed program, and the online program/mobile app)

A 50-word description of the format of the seminar (which will also appear in the call for participants, etc.)

These items are due by November 13, 2017. Please submit your application online at https://www.xcdsystem.com/gsa

Please note that you must be a current member of the GSA to submit a proposal. If you need your password reset, please contact Ms. Ursula Gray (UG@press.jhu.edu) at Johns Hopkins University Press. If technical questions or problems arise with the submission interface itself, please contact Elizabeth Fulton at techsupport@thegsa.org.

At this point, the GSA Seminar Committee will provide suggestions and assistance for the final submission, which is due by December 13, 2017. The committee will then review seminar proposals and post a list of approved seminars and their topics on the GSA website by early January 2018.

The GSA Seminar Committee consists of:

Margaret Eleanor Menninger (Texas State University) | mm48@txstate.edu (Chair)

Maria Mitchell (Franklin & Marshall College) | maria.mitchell@fandm.edu

Faye Stewart (Georgia State University) | fayestewart@gsu.edu

Please direct all inquiries to all three of us.

MID-ATLANTIC CONFERENCE ON BRITISH STUDIES ANNUAL MEETING UNIVERSITY OF MARYLAND

SATURDAY and SUNDAY, APRIL 7-8, 2018

The MACBS -- the mid-Atlantic affiliate of the NACBS, the main organization for British Studies in Canada and the United States – is soliciting proposals for papers and panels on all areas of British Studies for our annual conference. We welcome participation from scholars of Britain, the British Atlantic World, and the British Empire broadly defined, and we are open to proposals ranging from the ancient to the contemporary and from scholars of history, anthropology, literature, art, politics, economics and related fields. Senior faculty, junior faculty, and graduate students are all encouraged to participate.

Proposals for both individual papers and full panels are welcome. Paper proposals should include a brief (no more than 250 words) abstract of the paper and a curriculum vita. Full panel proposals should also include a one-paragraph description of the panel’s overall aim and indicate which panel member will serve as the organizer and primary contact.

All submissions must be received by 15 December 2017.

Send proposals via email to:

Prof. Nicholas Popper, Program Co-Chair

Dept. of History

College of William & Mary

nspopper@wm.edu

Prof. Katie Hindmarch-Watson, Program Co-Chair

Dept. of History

Johns Hopkins University

katie.hw@jhu.edu

For additional information, please see the MACBS website:

http://www.lehman.edu/academics/arts-humanities/history/macbs/

We are seeking paper proposals for 25-minute papers for a panel, Dangerous Portraits in the Early Modern World, at the 2018 Association for Art History Annual Conference. Please include a title and abstract (250 words maximum), your name, and your institutional affiliation with your submission.

CFP: Romanticism Goes to University

A Two Day Symposium, hosted by Romanticism @ Edge Hill University, including workshops on editing the Romantics, teaching Romanticism, digital humanities, and impact in and of long nineteenth century studies, 19th-20th May 2018.

‘Romanticism Goes to University’, a two day symposium hosted by Romanticism @ Edge Hill University, aims for a two-fold focus: firstly, a space for discussion and debate about the role of higher education – pedagogy, didacticism, the Romantic lecture and essay, and the university as an institution – in the Romantic period itself; and secondly, an opportunity to scrutinize the state of the discipline in today’s university: what does it mean to teach and research Romanticism now? How is the Romantic period presented in undergraduate and postgraduate programmes? What are the major trends in Romantic research at the moment? To what extent does what is taught in Romantic period courses reflect and / or motivate research?

Alongside academic papers and panels, our symposium will offer a space to discuss teaching and research concerns through a mixture of expertly led workshops and roundtable discussions. These workshops will be of especial interest to Postgraduate and Early Career Researchers, although more established staff would be more than welcome to attend.

Please submit abstracts of 250 words for individual papers, or panel proposals / innovative presentation formats of 500 words (including a brief introduction and details of each paper), along with a short biography of presenters, to Andrew.McInnes@edgehill.ac.uk by Friday 2nd February 2018.

There will be the opportunity for selected papers to be revised for a special edition of Romantic Textualities, as well as the publication of themed entries in the blog series ‘Teaching Romanticism’.

Call for Papers: BGEAH and BrANCH joint postgraduate and Early Career conference IHR in London Friday 23 MARCH 2018 Call For Papers

In 2018, the British Group in Early American History Postgraduate and Early Career Conference enters its 4th year, and for the first time, joins forces with the British American Nineteenth Century Historians’ postgraduate community for a joint event. This will take place on Friday 23rd March 2018 at the London-based Institute of Historical Research, the UK’s national center for history. London, with its unique colonial archival resources and lively research student populati¬¬on, is one of the leading centers of American scholarship in Europe, and the IHR is a natural location for this event. The IHR Library’s North American Room houses one of the foremost UK collections of published material relating to the early history of the United States, Caribbean, and Canada. The day-long BGEAH & BrANCH Postgraduate and Early Career Conference will be a key forum for the discussion of individual research as well as themes and issues emerging in the field of American research in the UK.

PROPOSALS & PANELS: This conference caters specifically to the needs of postgraduates and early career historians. We invite proposals for speakers/panels or roundtables that focus on practical and vocational skills such as writing, publication (both within and outside the UK), the Research Excellence Framework, job and post doc applications, interviewing, public engagement, digital history, social media, non-academic career pathways, or any other relevant professional development topic. Proposals could also be ideas for sessions that attendees would like to see included in our programme. The deadline for these is Friday 24th November 2017.

WORKSHOPS: The conference will include PG and ECR workshop sessions based upon pre-circulated works-in-progress. A submission could be a proposed journal article, or portion of a chapter embracing any aspect of the broad field of North American history, including the Caribbean, from the seventeenth through to the end of the nineteenth century. This is an opportunity to have your work discussed in a constructive, convivial environment where you will benefit from the insights of fellow PGs and ECRs, as well as faculty members. At this stage, please provide a 200-word summary of your proposed submission by Friday 22nd December 2017.

As part of BGEAH, BrANCH, and the IHR’s ongoing commitment to national engagement, speakers are encouraged from across the UK, and some funds are available to assist attendees from outside the Southeast of England with their travel expenses.

Please email proposals, ideas and summaries to the Conference Organiser, Gareth Davis, at gareth.davis.14@ucl.ac.uk with the subject line BGEAH & BRANCH 2018. Proposals (with the name of the submitter and BGEAH & BrANCH in the file name) should be sent as an attachment. Individual submissions should include a summary of between 250 and 350 words and a brief (1-2 pp) C.V. Panel submissions should include a one-paragraph overview in addition to individual CVs.

CFP for Panel on Edgeworth at ECSSS, Glasgow, 2018

“Maria Edgeworth and Scottish Enlightenment Networks”

Maria Edgeworth’s involvement with Scottish Enlightenment thinking has long been recognized, but much yet remains to be discovered about the extent, complexity and implications of her engagement with the ideas of Adam Smith, David Hume, William Hunter, Hugh Blair, Dugald Stewart and other philosophers, scientists and writers from that era. For a panel on “Maria Edgeworth and Scottish Enlightenment Networks” to be proposed for the 2018 conference of the ECSSS, papers are invited on any strands of Scottish Enlightenment thinking woven into Edgeworth’s works, life and reputation.

While papers might consider the place of Scottish Enlightenment concepts in Edgeworth’s writing, they might also consider Edgeworth’s place in conceptualizations of the Scottish, Irish or other Enlightenments and how association with Enlightenment has affected her reception—or should affect it in the future. Also welcome are papers that consider how Scottish Enlightenment networks enmesh the activities of Richard Lovell Edgeworth and the administration of Edgeworthstown.

Please send abstracts of 300 words, along with a one-page cv, by 10 October 2017 to Regina Hewitt (U of South Florida) reghew@hotmail.com or hwt87@earthlink.net

ECSSS (the Eighteenth-Century Scottish Studies Society) will meet at the University of Glasgow from 17 to 21 July 2018. The conference theme is “Networks of Enlightenment.” More information can be found at http://tinyurl.com/y9nyx5vq Please note that the deadline for abstracts for the proposed Edgeworth panel is earlier than the deadline in the main cfp for the conference in order to allow time for the panel to be composed by that final submission deadline and for extra abstracts to be forwarded to the organizers and considered for other sessions.

CFP: 2018 ISECS Seminar for Early Career Scholars, Silence in eighteenth-century arts, history and philosophy, Università della Tuscia, Viterbo, 10–14 September 2018

Proposals due by 30 January 2018

The International Society for Eighteenth-Century Studies (ISECS) is pleased to announce the 2018 International Seminar for Early Career Eighteenth-Century Scholars. Colleagues from all fields of eighteenth-century studies are invited to submit abstracts for this one-week event. Formerly called the East-West Seminar, the International Seminar for Early Career Eighteenth-Century Scholars brings together young researchers from a number of countries each year. The 2018 meeting will take place in Viterbo, Italy and will be organized by Prof. Francesca Saggini and the Dipartimento di studi linguistico-letterari, storico-filosofici e giuridici – DISTU.

The seminar will be held from Monday, September 10 to Friday, September 14, 2018 in Viterbo, under the direction of Francesca Saggini (English Literature, Tuscia), with Antonella Del Prete (History of Philosohy, Tuscia), Paolo Procaccioli (Italian Literature, Tuscia), Saverio Ricci (History of Philosophy and Intellectual History, Tuscia), Gino Roncaglia (Digital Humanities, Tuscia). The seminar’s focus on praxis will give early career scholars the opportunity to work closely with these specialists, individually or in small groups, during workshops devoted to theoretical issues, bibliographic research and research methodologies. More specific training opportunities will include know-how sessions and discussions on professionalisation (getting published, the activities and publications most valued by employers in the education sector, the peer-review system), digital methods, editorial skills. The seminar will also be an opportunity to engage with international scholars who will present their research in areas cognate to the Seminar Aims and Themes: Prof. Rosamaria Loretelli (Emerita, Napoli Federico II/Vice-President ISECS), Prof. Peter Sabor (McGill University, Montréal), and Dr. Anne Toner (Trinity College, University of Cambridge). The 2018 ISECS International Seminar for Early Career Scholars will engage discussions on the forms, representations and modalities of silence in the eighteenth century.

Silence, of individuals and cultures, of the physical voice or of the written word and information deleted from the page, has historically taken many forms. It may be reticent, dissembling or imposed by others. Voluntary or coerced, it might be the silence of women, of marginal social and religious groups, of communities that are denied the right to speak. There are other silences as well: the interruption of sound in a musical pause and the silence of religious practices, which speak to, and of, the inner life. All these forms of silence were present in the eighteenth century, as they had been throughout history, but perhaps for the first time, some of them were singled out for special scrutiny. Works on aesthetics, for example, investigated the use of silence and the implicit in rhetorical writing, or dwelled on reverie, and how it might be induced in the reader. In rhetoric, attention was paid to discursive figures and strategies capable of making silence more eloquent than the word. Conduct books devoted many pages to the art of conversation, emphasising the essential role of silence to ensure the correctness of social interactions, especially for women, but also for politicians. Censorship – whether institutional or self-imposed – also produces silences, as do the more or less conscious failures of memory found in life writing and in historical discourse: one need only think of the revisions required to write the history of colonialism, wars or slavery. Eighteenth-century historiography attempted to remove some of the silences it found in history, often filling in the lacunae through conjecture. Silence is also represented in the visual arts and, signally, in the novel, which devised new narrative techniques for the purpose, whether to evoke the silences in characters’ conversations, and the contexts and landscapes in which silence reigns (a hallmark of the picturesque, for example), or to leave the reader in suspense by strategically withholding information. And then there is the theatre, where after the triumph of pantomime and the illegitimate spectacles that deployed a hybridized combination of body, speech, stage machinery and lighting effects, the century comes to a close with the rise of melodrama, which replaced the spoken word with music and revolutionised the notion of acting as the art of speech, while giving new prominence to silent characters and heroes. Finally, there is the silence that becomes firmly and widely established in the eighteenth century through the practice of reading narrative texts for oneself, replacing the social activity of reading aloud for a group of listeners with a solitary, interiorized experience. On these and other silences, on silence in all its forms and meanings in the eighteenth century, the seminar calls for contributions. The theme of the conference, “Silence in eighteenth-century arts, history and philosophy,” must thus be understood in the broadest terms possible to include:

- anonymity

- silence, reflection, meditation

- social silence, silence and social interaction

- negation: denials, disclaimers, disavowals

- silence and secrets

- censorship and self-censorship

- ellipses, omissions, blank pages, hyphens, asterisks

– the typographical and linguistic modes of silence

- ghost chapters (deleted, lost, rewritten)

- silenced characters, characters that disappear

- quiet spaces: the loci of silence

- reading and silence

- silence as resistance and rebellion

- scripting silence and muteness

- the performativity of silence

- silence and the canon

- silence and history

- silence in relation to cultural memory studies

- silence and/as remembrance

A detailed description of this theme (English, French, Italian), with a list of abstracts will be available online.{dedicated page to be made accessible in Distu’s homepage} The seminar is limited to 15 participants. The proposals (approx. 3 pages, double-spaced, max 1,000 words) should be based on an original research project (e.g. a doctoral dissertation) which addresses one of the aspects mentioned above. Because this is a seminar rather than a conference, each participant will be given approximately one hour to present the texts and questions that will then form the basis of a group discussion led in turn by one of the participants. Preference will be given to scholars who are at the beginning of their academic career (ABD; PhD or equivalent for less than six years, including ECRs). The official languages of the seminar are English, Italian, French. Translations of abstracts and various seminar materials not in English will be made available to participants.

Accommodation costs (Sunday night to Friday night included), lunches and dinners (Monday dinner to Friday lunch included) will be covered in full by the organizers, who will be responsible for reserving rooms in the students’ hall of residence. Other travel costs are currently under evaluation for a grant from the University of Tuscia. If the seminar should benefit from such funding, transfers from Orte train station (on the Rome-Milan train line) or the Rome airports (Ciampino and Fiumicino) to Viterbo will be covered in full or in part. In that case, in order for travel expenses to be considered, participants are asked to coordinate, to the extent possible, their times of arrival and departure, so as to enable group transfers to/from Orte train station or the Rome airports .

As is the case each year, the proceedings of the seminar will be published by Honoré Champion (Paris) in the Lumières internationales series.

Applications should include the following information: a brief curriculum vitae with date of PhD (or equivalent); a list of principal publications and scholarly presentations; a brief description of the proposed paper (approx. 3 pages, double-spaced, max 1,000 words); and one letter of recommendation. Colleagues are invited to submit proposals by January 31, 2018. Please send abstracts by e-mail to Francesca Saggini: fsaggini@unitus.it, ccing into the conversation Alberta Boschi alberta.boschi@gmail.com . If your email programme supports the delivery receipt option we encourage you to request delivery receipt. We will attempt to notify all correspondents before February 28, 2018 regarding the status of their submission.

CFP: Ecology and Emotion in the Eighteenth and Nineteenth Centuries - ACLA meeting at UCLA, March 29 - April 1, 2018

This interdisciplinary panel invites proposals addressing landscape, ecology, and environmental discourse in the eighteenth and nineteenth centuries, in literature, travel writing, and visual / material culture. Topics may include environmental un/consciousness, philosophy of nature, landscape architecture, or representations of agriculture (e.g. tea, coffee, sugar plantations) and nature (e.g. oceans, mountains, deserts). Papers addressing the European context, non-European areas such as East Asia, or transregional travels are all welcome.

We particularly welcome papers examining the connections between ecology and emotional affect, including questions of subjectivity, sublimity/transcendence, patriotism/national identity, philosophical reflection, aesthetic response, and memory. Sample themes include, but are not limited to, environment and emotion, nature and morality/religion, landscape and national identity (e.g. the German forest as national symbol). The panel organizers are interested in learning from discussions on transcultural, colonial, and environmental discourses, and from theoretical and historical perspectives.

Please submit a short proposal (max. 300 words) to this panel at the ACLA conference website by September 21st, 2017. Please contact Chunjie Zhang (UC Davis, chjzhang@ucdavis.edu) or Laurence Williams (University of Tokyo, williams@l.u-tokyo.ac.jp) with questions.

Consortium on the Revolutionary Era, 1750-1850

Philadelphia, PA, February 22-24, 2018

The Consortium on the Revolutionary Era, 1750-1850 (CRE) provides a venue for the presentation of original research on the history of Europe, the Atlantic World and beyond. We welcome proposals from allied disciplines and comparative studies; in short, we offer a platform for research into the revolutionary era broadly defined. For more information, please visit: http://www.revolutionaryera.org/

North American British Music Studies Association Call for Papers

The North American British Music Studies Association will hold its Eighth Biennial Conference from Monday, 30 July to Wednesday, 1 August 2018, in Logan, Utah, hosted by Utah State University.  For more information, visit: https://nabmsa.org/conferences/2018-biennial-conference/

Jane Austen Society of North America: Call for Persuasion Papers
The 5,000-member literary society of JASNA will celebrate the 200th publication anniversary of Jane Austen’s Persuasion in Kansas City, Missouri from September 28-30 of 2018. ASECS members are encouraged to join JASNA and submit abstracts for 50-minute breakout sessions at the conference. Papers will be considered for publication in the society’s literary journal, Persuasions. Please read JASNA’s 2018 AGM theme page (jasna.org/agms/kansascity/call-for-papers) for inspiration. We welcome proposals reflecting the theme, Persuasion: 200 Years of Constancy and Hope, as well as those relating to any other aspect of Persuasion. A few of the wide range of topics we hope to see: * Counter-themes of inconstancy and hopelessness * Austen’s connection to and inclusion of the British Navy * Exploration of the city of Bath and its use in the novel * Edification on methods of retrenching * Explanation of “the richness of the present age” of poetry Submission Materials: 1. Cover letter about you Include name, newly-joined JASNA Region, college or university affiliation (if any), physical and email addresses, phone numbers, and a brief (max. 100 word) biography. Indicate if you have been a speaker at previous JASNA AGMs or ASECS events. 2. One-page abstract about your session Describe your presentation content and format. Note how your session will be novel or unique to a JASNA audience. Specify absolutely necessary AV equipment, understanding that equipment rental is costly and should be requested only when images are essential to the presentation. Submission Deadline: November 1, 2017. Highly Encouraged Electronic Submissions to: Julienne Gehrer Coordinator, 2018 AGM PersuasionAGM@outlook.com Mailed Submissions to: Julienne Gehrer Coordinator, 2018 AGM 4318 W. 74th Ter. Prairie Village, KS 66208-2959

Mitchell Prize for Periodical Research
15 October 2017 (not 30 September 2017 as previously announced) is the deadline for the Bibliographical Society of America’s sixth triennial William L. Mitchell Prize for Bibliography or Documentary Work on Early British Periodicals/Newspapers. Submissions must concern eighteenth-century periodicals in English or in any language but published within the British Isles and its colonies. The Prize is awarded for the best single publication (article, book, web-posting, etc.) between January 1, 2014 and September 30, 2017. Besides newspapers and magazines, the research may concern any stage in the writing, printing, distribution, and consumption of serial publications. Since its inception, the prize has favored documentary or primary-source research and also bibliographical research. The Mitchell Prize winner receives a $1000 cash award and a year’s membership in the Bibliographical Society of America. The award is made at the annual meeting of the Bibliographical Society of America in New York City during January. The Prize honors Bill Mitchell, retired curator of the Bond Collection of 18th-Century British Newspapers and Periodicals as well as the Edmund Curll Collection at Kansas’s Spencer Research Library. Mitchell’s friend and colleague at the library, the late Alexandra Mason spearheaded the creation of the prize to encourage bibliographical scholarship on British periodicals. The competition is open to all without regard to membership, nationality, and academic degree, requiring little more than the submission of a C.V. and three copies of printed work (or one PDF for circulation) and access and instructions for internet publications. For info (and an account of former prize-winners), see the BSA's website (www.bibsocamer.org). The last Mitchell Prize was awarded in January 2015 to Simon Macdonald, then Banting Postdoctoral Fellow at McGill University. His winning publication, “English-Language Newspapers in Revolutionary France,” was published in The Journal for Eighteenth-Century Studies, 36, no. 1 (2013), 18-33. Direct questions to Jim May (jem4@psu.edu).

 

Lectures:

Carlo Marchionni and the Art of Conversation: Architectural Drawing and Social Space in Eighteenth-Century Rome.

November 3, 2017 at 1 p.m.

Tracy Ehrlich - Faculty member, MA in the History of Design & Curatorial Studies

Parsons School of Design, The New School

Smithsonian Institution, Senior Fellow, 2016-17

Lower Level Lecture Hall

Cooper Hewitt, Smithsonian Design Museum

2 East 91st Street

New York, NY 10128

Job Openings:

The Department of French and Italian at Princeton University seeks to hire a tenure-track assistant professor specializing in eighteenth-century French literature and culture. A demonstrated interest in interdisciplinarity would be an advantage. The successful candidate will have native or near-native French; clear evidence of scholarly excellence and of potential distinction in research and publication; and evidence of a serious and successful commitment to teaching. Applicants should include a cover letter of application, curriculum vitae, and contact information for at least three references online at https://puwebp.princeton.edu/AcadHire/ . Review of applications will begin in early October. Applications received by November 15, 2017 will be given full consideration. Interviews will be conducted at the MLA Convention in New York, January 4-7, 2018. Please note that the Ph.D. is expected by the appointment start date of September 1, 2018. Princeton University is an equal opportunity employer and complies with applicable EEO and affirmative action regulations. Women and minority candidates are strongly encouraged to apply. This appointment is subject to the university’s background check policy.

 

Exhibits:

Publications:

Prizes:

ASECS Awards and Prizes:

ASECS Awards and Prizes:

Srinivas Aravamudan Prize - Deadline - January 1, 2018

Clifford Prize - Deadline - January 1, 2018

Louis Gottschalk Prize - Deadline - November 15, 2017

Biennial Annibel Jenkins Biography Prize - Deadline November 15, 2018

ASECS Innovative Course Design Competition- Deadline - October 1, 2017

Travel Grants - Deadline January 1, 2018

 

Graduate Student Awards:

Travelling Jam-Pot: Fund for Graduate Students  - Deadline: November 1, 2017

Graduate Student Research Paper Award - Deadline January 1, 2017

2016-17 Graduate Student Conference Paper Competition - Deadline April 3, 2017

ASECS Award for Excellence in Graduate Student Mentorship - Deadline: December 15, 2017

Race and Empire Caucus Essay Prize - Deadline - July 1, 2017

 

Lesbian and Gay Caucus:

The Hans Turley Prize - Deadline - November 1, 2017

Women's Caucus Awards:

Catharine Macaulay Prize Competition - Deadline September 1, 2017

ASECS Women’s Caucus Editing and Translation Fellowship - Deadline - January 15, 2017

Émilie Du Châtelet Award - Deadline January 15, 2017

Historians of Eighteenth-Century Art and Architecture (HECAA):

The Mary D. Sheriff Research and Travel Award - Deadline January 15, 2018 - Link

Dora Wiebenson Graduate Student Prize - Deadline February 15, 2017

 

Ibero-American Society for Eighteenth-Century Studies

The Pilar Sáenz Annual Student Essay Prize

The María Salgado Student Travel Grant

 

Oscar Kenshur Book Prize

 

Mozart Society of America:

Marjorie Weston Emerson Award - Deadline - May 1, 2017

 

Society of Early Americanists:

Essay Competition

Deadline - October 3, 2017

Southeast American Society for Eighteenth-Century Studies (SEASECS):

Annibel Jenkins Prize in Performance and Theater Studies - Deadline November 29, 2017

An award of $500 will be given annually for the best article in performance and theater studies published in a scholarly journal, annual, or collection between September 1, 2017 and August 31, 2017. Authors must be members of SEASECS at the time of submission. Articles may be submitted by the author or by another member.

The deadline for submissions is November 29, 2017. Please send submissions as PDF files, and address any queries about the prize to the Committee Chair:

Jack DeRochi (Winthrop University)

Email is derochij@winthrop.edu